
A Chilean printmaker, she has been based in France for the past three years. She began working independently eight years ago. Her career has been marked by continuous learning of different techniques, teaching, and collaboration with other artists.
His work manifests in inner landscapes, where nature relates to humankind and its existence. A poem where raw, primal matter is also a form of expression. The matrix, whether copper, zinc, or wood, reflects this exploration of the slow rhythm between the tangible and the nonexistent.
She considers herself a craftswoman of emotions, patience, and mistakes.
For her, engraving is a way to keep ancestral knowledge alive, to rediscover the essential, slow rhythm of being human. A connection with the plate, a noble element.
Each impression is an inner mirror where sensitivity and possible dream worlds can be inhabited.